The Mandalorian’s Baby Yoda Puppet Cost $5 Million

(This article contains mild spoilers about the finale of The Mandalorian’s first season.)

The breakout star of The Mandalorian has undoubtedly been The Child, better known as Baby Yoda, a Force-powered infant who closely resembles the original and prequel trilogy’s sage Jedi master. The baby, who star Werner Herzog summed up as “heartbreakingly beautiful,” is a very sophisticated puppet–one that apparently cost a lot of money to manufacture and operate.

Talking to Entertainment Weekly, Adam Pally (who plays one of the two Stormtroopers watching over the baby at the opening of episode 8) shared an anecdote about the puppet’s cost. During the scene, Pally’s character hits the Baby Yoda, and on the first take he hit it fairly hard. The director (Taika Waititi) yelled “cut,” and Pally was visited by showrunner Jon Favreau to discuss the shot.

Pally recalls Favreau telling him that the puppet costs “like, $5 million,” saying “so while I want you to hit it, I just want you to know that.” This made Pally so nervous that he missed on the next three takes.

Pally joked that Baby Yoda was “a bit of a diva” on the set, and that he’s “constantly vaping.”

The Mandalorian will return for season 2 in fall 2020, and characters from the Skywalker series might appear.

Now Playing: Baby Yoda’s Best Moments In The Mandalorian

Avengers Director’s New TV Show Casts Two Lead Roles

Citadel, the new TV show from Avengers directors Joe and Anthony Russo, has cast some of its lead roles. It was announced during the Television Critics Association event this week that Richard Madden (Game of Thrones, Bodyguard) and Priyanka Chopra Jonas (Quantico) will star in the Amazon show.

Citadel is described as an “action-packed spy series with a compelling emotional center.”

The show will have locally produced versions made for different parts of the world, including Italy, India, and Mexico, featuring different production companies and stars.

Madden and Chopra will star in the US “mothership” version of Citadel. Madden is perhaps best known for playing Robb Stark on Game of Thrones. More recently, he starred on the British TV series Bodyguard, while he also had a leading role in the Elton John biopic Rocketman.

Chopra starred in numerous Bollywood films over the years, following her win at the 2000 Miss World pageant. Her starring role on Quantico was her first major part for American TV.

Picard’s 10 Best Episodes Of Star Trek The Next Generation

Star Trek: The Next Generation remains one of the best Star Trek series and still holds up to this day. This is due in large part thanks to Patrick Stewart’s Captain Jean-Luc Picard, who leads the fantastic ensemble crew, keeping a cool head and standing by his principles in even the worst of situations.

As Captain Jean-Luc Picard, Patrick Stewart has had many incredible moments over 100 episodes of TNG and 4 movies. We had the tough decision of narrowing the list down to Picard’s 10 best episodes. We cover his powerful courtroom performances in episodes like The Measure of a Man and The Drumhead, to his most sympathetic moments in Sarek and Darmok, to his more vulnerable moments in episodes like Family, and more.

For the full list, watch the video above. And be sure to check out our videos on the history of Jean-Luc Picard, and 11 theories about the new series Star Trek: Picard.

BioShock: The Collection Might Be Coming To Switch

It looks like BioShock: The Collection–which brings together BioShock, BioShock 2, and BioShock Infinite–might be coming to the Switch. Lootpots discovered that the game has been rated by the Taiwanese games rating board. Appearing on a ratings board is usually a good indicator that a game is on its way.

BioShock: The Collection, which released for PS4 and Xbox One in 2016, remastered the three games and was divided between two Blu-Ray discs. Since a Switch release has not been formally announced, there’s no indication of whether the Switch release will be closer to the original Xbox 360/PS3 versions of these games.

The individual games within the Collection has also been rated, which could potentially mean that they’ll be released separately as well. BioShock 2 and Infinite came with all of their previously-released DLC when they were made available on PS4 and Xbox One.

The original BioShock has gone portable before, with an iOS version releasing in 2015 (and eventually disappearing from the App Store), and a Vita spin-off tactics game being planned and cancelled. This version, if it eventuates, will be the first time BioShock has appeared on a Nintendo console.

There’s also a new BioShock game in development right now at the newly created studio Cloud Chamber. It’s still early in development, though, and not much is known about it yet.

Now Playing: Bioshock The Collection Livestream

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Joker Is Coming Back To Theatres Following Golden Globes Wins And 11 Oscar Nominations

The DC movie Joker is headed back to theatres following its 11 Oscar nominations. Warner Bros. announced that Joker will return to more than 750 theatres across North America beginning on Friday, January 17.

The 11 Oscar nominations that Joker scored is more than any other movie this year. While the Oscars are still to come, Joker already won two awards at the Golden Globes, where Joker actor Joaquin Phoenix won Best Actor and Hildur Guðnadóttir won for Best Original Score.

“With the continued interest in Joker as a result of its recognition during this exciting awards season, we wanted to give audiences the chance to see the film on the big screen, whether for the first time or again,” Warner Bros. executive Jeff Goldstein said in a statement.

It seems Joker is only returning to theatres in North America, and not other parts of the world.

Joker made more than $1 billion globally during its initial theatrical run, which is a tremendous result given it was made on a relatively modest $55 million budget (before marketing). Given the huge success, it’s no surprise that there have been discussions of a sequel.

Joker is the highest-grossing R-rated movie in history, surpassing Deadpool 2 ($785 million) to set the record. Joker is also the 32nd highest-grossing movie in cinema history.

Joker’s 11 Oscar nominations include Best Picture, Best Director, Best Actor, Adapted Screenplay, Costume Design, Original Score, Sound Editing, Sound Mixing, Film Editing, Cinematography, and Makeup and Hairstyling.

The 92nd Academy Awards will take place on Sunday, February 9.

The Sword in the Stone Pulled Out by Guest at Disneyland

One Disneyland visitor reportedly succeeded in pulling King Arthur’s sword from the stone, effectively breaking the famous Fantasyland prop.

After initial reports that claimed the sword’s sudden removal was a part of King Arthur Carrousel’s upcoming refurbishment, WDW News Today reports (via Cinemablend) that it was actually a determined park visitor that yanked the hilt right out of place.

Two separate witnesses both told WDWNT about the event, with one person saying, “My friend Sam broke it last week on the 8th when we went to Disneyland. He literally ripped it out. The staff said that it was really old and that’s why he was able to do so.”

Sam’s friend called him a “pretty buff dude,” and added that it was his first time at Disneyland.

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Another witness said they watched a very burly man break the sword at Disneyland, saying, “At first it seemed as if he had pulled it out, but a cast quickly came over [because] he had in fact broken it. The sword has since been fully repaired and returned to its rightful place in Fantasyland.

In the classic Disney tale The Sword in the Stone, Arthur successfully pulls the blade from the stone and is crowned as the true king. It doesn’t appear that Sam was crowned as the King of Fantasyland after breaking the display.

For more on Disney parks, check out our review of the Millennium Falcon: Smugglers Run ride at Star Wars Galaxy’s Edge. And, learn why we loved the Star Wars: Rise of the Resistance ride at Disney World.

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Logan Plant is a news writer for IGN, and the Production Assistant for Nintendo Voice Chat, IGN’s weekly Nintendo show. You can find him on Twitter at @LoganJPlant.

Game of Thrones Actor to Star in Russo Brothers’ Citadel Series

Amazon Studios and the Russo brothers have announced that Game of Thrones star Richard Madden and Quantico’s Priyanka Chopra Jonas will star in the upcoming Citadel series.

In addition to casting announcements, Amazon also revealed that the local language production of the series would originate in Mexico, in addition to the Italy and India versions which were previously announced. Further, Madden and Chopra will be headlining the U.S. “mothership” edition, which we will explain later on.

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Madden is likely best known for his role as Robb Stark in Game of Thrones – however, he also played a major role in BBC’s Bodyguard and the Elton John biopic, Rocketman. Further, Madden is set to star in Marvel’s upcoming Eternals film.

Chopra has also appeared in The Sky is Pink. Additionally, she is set to star in Netflix’s We Can Be Heroes and an untitled Indian wedding comedy.

The Citadel is described as a “groundbreaking global event multi-series” and will air exclusively on Amazon Prime Video. Amazon Studios told TheWarp that The Citadel will be an “action-packed spy series, with a compelling emotional center.”

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The show will technically be three different series, according to Jen Salke, head of Amazon Studios. The “mothership” version, which will star Madden and Chopra, will be the main series, and then the Italy and India versions will serve as side stories of sorts for the characters.

A release date has not been announced yet, but the series is expected to begin production this year.

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Andrew Smith is a freelance contributor with IGN. Follow him on Twitter @_andrewtsmith.

Jack Reacher TV Series Coming to Amazon

Amazon Studios has announced the production of a TV series based on Lee Child’s bestselling book series, Jack Reacher.

The first season will follow the narrative from Child’s first novel, titled “The Killing Floor,” which was published back in 1997. The 24 books in the series follow the adventures of the former US Army military police major, Jack Reacher, as he investigates dangerous crimes in his new civilian life.

Amazon Studios will produce the show alongside Skydance Television and Paramount Television Studios. Nick Santora, known for his work on Prison Break and Scorpion, will write, executive produce, and act as showrunner for the upcoming series.

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“Lee Child has created an incredible character and world; it will be the goal of every writer, producer, actor, executive and crew member to capture the essence of Mr. Child’s books – and luckily Lee has been there, and will continue to be there, to help guide us along the way in this series. He is the pulse of Reacher,” said Santora.

Child also weighed in on the conversion over his books being adapted to TV saying, “It’s been great so far, but really, the fun starts here. By now I know these guys, and Reacher is in the perfect hands, believe me.”

If you’re looking for more to do with your Amazon Prime membership, season 4 of The Expanse was released last month and has one of the best scores on Metacritic for 2019 with Season 5 already on order. You can also get some daily deals using the Prime discount or maybe you need help choosing a VPN to get past location blockers.

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[poilib element=”accentDivider”]Hope Corrigan is an Australian freelance writer for IGN. You can follow her on Twitter and Instagram.

Superman & Lois: The CW Gives Series Order to Arrowverse Spinoff

The Arrowverse is about to get even bigger. As reported by The Wrap, The CW has officially given a full series order to Superman & Lois.

First announced as being in development in October 2019, Superman & Lois is a spinoff of Supergirl featuring Tyler Hoechlin’s Superman and Elizabeth Tulloch’s Lois Lane. The series will follow the duo as they juggle their respective journalism careers, Superman’s costumed adventures and the newfound pressures of raising their son Jon.

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The new series is produced by Berlanti Productions and will be written and executive produced by Arrowverse veteran Todd Helbing. No other casting announcements have been made. We recently asked Jon Cryer if he’d be interested in reprising his role as Lex Luthor for the series, but Cryer is remaining mum about Lex Luthor’s future.

“All I can say is, it’s absolutely a show I will watch, but I have no idea,” said Cryer. “It was very funny because I was shooting the very last of the crossover stuff, and I was under the impression that Tyler [Hoechlin] was done, and I get out of the plane, and there’s Tyler. It was right after they had announced his show, and I was like, ‘Oh, my God! Wait, what does this mean?’ But it’s so funny because, I don’t know what it means. Nobody has said a word to me about that show.”

Superman & Lois isn’t the only new Arrowverse series in development. The penultimate episode of Arrow will also serve as a backdoor pilot for Green Arrow and the Canaries, a spinoff starring Katherine McNamara’s Mia Queen, Katie Cassidy’s Laurel Lance and Juliana Harkavy’s Dinah Drake.

The CW also announced a series order for Walker, Texas Ranger, a reboot of the original Chuck Norris series starring Supernatural’s Jared Padalecki.

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Neither Superman & Lois nor Walker, Texas Ranger have been given a premiere date yet. Where exactly The CW will find room for these new shows is anyone’s guess, as the network recently renewed almost all its current ongoing series (including Batwoman, The Flash and DC’s Legends of Tomorrow) for the 2020-2021 season.

Let us know if you’ll be watching Superman & Lois in the comments below.

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Jesse is a mild-mannered staff writer for IGN. Allow him to lend a machete to your intellectual thicket by following @jschedeen on Twitter.

Why Sony’s Absence Hurts E3 More Than the PS5

Sony has confirmed what rumors suggested – PlayStation will once again not have a presence at E3, skipping 2020’s convention in favor of hosting its own (and probably taking part in other) events ahead of the PlayStation 5 launch.

This marks two years in a row that Sony is skipping E3, even though conventional wisdom suggested that Sony would never be absent in the same year it’s launching a new console – but Sony doesn’t need E3 to make the PS5 a success. E3, on the flipside, sure needs Sony to succeed as a showcase of the industry’s future, for fans and journalists alike.

Why Sony Leaving E3 Doesn’t Hurt the PS5

Now that it’s 2020 — this, the year of next-gen — Sony’s efforts will most assuredly focus on the PS5, both in terms of the console’s launch and its post-launch lineup. The overall message: why people would want to upgrade to this new system. Sony’s decision to skip E3 is a clear sign that, at the very least, those at Sony don’t think it needs a presence at the show to convince you of the merits of its new hardware.

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And the company’s statement proves that. The full statement reads (emphasis added by IGN):

After thorough evaluation SIE has decided not to participate in E3 2020. We have great respect for the ESA as an organization, but we do not feel the vision of E3 2020 is the right venue for what we are focused on this year. We will build upon our global events strategy in 2020 by participating in hundreds of consumer events across the globe. Our focus is on making sure fans feel part of the PlayStation family and have access to play their favorite content. We have a fantastic line up of titles coming to PlayStation 4, and with the upcoming launch of PlayStation 5, we are truly looking forward to a year of celebration with our fans.

Instead of focusing on one big coming out party, Sony is deciding to spread its message to “hundreds” of events over the course of the next year, meaning E3 is going to have another massive hole to fill – one that felt impossibly deep last year.

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For a pretty healthy stretch since the PS4’s launch in 2013, Sony seemingly dominated E3, both in terms of its announcements at the convention itself and the community discussions that followed each year –  particularly compared to Microsoft’s faltering steps along the Xbox One’s path. Hell, we still talk about the “This is how you share games” video Sony made to pummel Microsoft in 2013. And that’s not even mentioning its subsequent years with reveals like God of War, Marvel’s Spider-Man, and many other conversation-dominating titles.

But the news cycle in 2020 is a very different beast than it was even just a few years ago. With the constant deluge of gaming news and releases (on top of all the other crap happening on the internet competing for your attention), a big splash at E3 could be easily forgotten a week or two later. Microsoft will undoubtedly lean into the Xbox Series X at E3, Nintendo will show off its Switch lineup, and third party developers will all compete for airtime. In the midst of that, Sony would be just one of many headlines circulating the gaming community. Even if the PS5 were the biggest topic of the bunch, it would still share the spotlight with everything else, and likely be judged against the others as well (and we’re certainly no strangers to that kind of conversation and analysis).

Should Sony hold its own series of events — a precedent set with PSX and then formalized with the State of Play streams — Sony would control when and, perhaps more importantly, against what its message is delivered. With these, Sony can remain the focus of multiple press cycles that their own marketing teams created themselves, while steering clear of the competition’s messaging and, in turn, let shows like Gamescom, E3, and PAX do the work for them by showcasing non-exclusive offerings. Everyone, as far as Sony is concerned, wins.

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Given Sony’s pattern of announcements over the past year, I fully expect the company to lean into its Nintendo Direct-style format for future PS5 news, offering us teases every few months – even if they don’t quite have the pizzazz of the old E3 press conferences.

Another big benefit to this strategy is one of the most obvious: money. Renting out E3 show floor space, a theater venue (not everyone can own their own, like Microsoft), and the various other costs that go into a full production around E3 is not cheap – the show floor space alone costs hundreds of thousands of dollars for the week. Even if self-curated events measured anywhere close to E3 expenses, it’d at the very least be one that directly benefited Sony and Sony alone.

Lastly, it’s easy to assume E3 would be useful to Sony because of the ease of access to mainstream press, whose attention would be the most focused on gaming that week as compared to literally any other time of year. But Sony’s plan with the PS5 thus far has shown it doesn’t need E3 to reach mainstream platforms — the company can just do it itself.

The first official information around the PS5 came almost exclusively from Wired, an established tech publication, while further information has come from the PlayStation Blog and Sony’s own CES show. Pushing advertising for the PS5 online and on TV with an ambitious ad and press cycle can go a long way. And yes, maybe that means a bit more pressure is on Sony to generate the same level of audience E3 draws itself, but if the PS5 rollout so far is any indication, it’s more than willing to put up with the costs to dole out information in this way.

What Sony’s Absence Means for E3

Sony pulling out of E3 again – alongside several other companies downsizing or removing their presence from the show floor – marks the end of the era where E3 was the main hub for gaming news in the industry, and the calendar week everything else revolved around.

Nintendo eschewed its traditional conference years ago, though it still holds a presence on the show floor in addition to its yearly E3 Direct. Microsoft has moved out to the Microsoft Theater next door, operating as part of but E3, yet on its own terms and territory.  While it was nice to see an E3 show floor where smaller developers and publishers were able to stand out, without Sony last year, E3 felt quite barren compared to years past (seriously, there were moments where the only thing missing was tumbleweeds)..

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And as for that mainstream attention? Well, a lot of it is owed to E3 in part because of the universal magnitude of the week — E3 is often not just about the hottest new games, it’s about technology and trends, too. All topics that the mainstream press is willing to engage with (albeit at arm’s length) to capitalize on their audience’s entertainment interests. If more and more companies continue to pull out of the show, especially major console makers, those magazines and TV stations may be less inclined to tune in. It’s unclear what the future actually holds, of course, but it’s easy to imagine those headlines being just as much about the increasing obsolescence of E3 this year as they are about the actual games and hardware being revealed.

Lastly, and perhaps worst of all, Sony skipping E3 means that the event might be that much less exciting. Aside from the lack of energy that the Playstation powerhouse brought to the show in years past, the decision deprives us of that classic story of two heavyweights going head-to-head. We all remember how exciting Sony and Microsoft’s last major console spar was, and while that conversation will, of course, still happen, Sony’s absence makes the “stakes” of this year’s E3 that much lower.

Rather than the Xbox Series X and PS5 trading major blows over the course of an intense week, one where every fan’s eyeballs are glued to the conventionk, the contest will be spread out and less dramatic. While we’re sure no one would argue that it’s good these State of Plays and Inside Xboxes foster less animosity within the community, we can’t help but mourn a bit of friendly competition between the two titans.  It likely won’t impact the PS5’s reception — that will be dependent on what Sony has to show during its own presentations — but it will mark a massive shift in how the ESA, press, and fans approach the industry’s (former?) Super Bowl from here on out.

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Jonathon Dornbush is IGN’s News Editor, PlayStation lead, and Beyond! host. Talk to him on Twitter @jmdornbush.